fitnessisfitfor-me:

zenbliss:

serenitate:

love this!

wish i lived somewhere tropical ugH

that looks like a perfect life

likeafieldmouse:

Tom Phillips - A Humument (1966-73)

“In 1966 Phillips set himself a task: to find a second-hand book for threepence and alter every page by painting, collage and cut-up techniques to create an entirely new version. He found his threepenny novel in a junkshop on Peckham Rye, South London. This was an 1892 Victorian obscurity titled A Human Document by W.H Mallock and he titled his altered book A Humument.

The first version of all 367 treated pages was published in 1973 since when there have been four revised editions. A Humument is now one of the best known and loved of all 20th Century artist’s books and is regarded as a seminal classic of postmodern art.”

Madonna of the Squid (via Chris Shaw at the San Francisco Museum of Modern Art | Chris Shaw)

escapekit:

Book Sculptures 

Edinburgh-based graphic design student Thomas Wightman has produced a trio of astounding book sculptures for his graduation project. 

wehadfacesthen:

Grand Forks, North Dakota, October, 1940. Photo by John Vachon for the Farm Security Administration

via undr

razorshapes:

Dukno Yoon

Wings

Movement and interactive relationship with the body has been the most important element throughout my body of work. However through these works, I also started to explore the mechanical structure as a form. Mechanical structure becomes the most enjoyable form to me as it becomes complex yet remains simple and coherent. The contrast between metal structural form and natural feather, together with the repetitive and whimsical movements of fragile wings, provokes the imagination and evolves the intimate relationship between work and viewer/wearer. Although the recent series, segmented wings have been focused on the formal challenge to engineer an intricate movement that simulates bird wings, these works are intended to be a series of poems in which I develope my own formal language, interpret the nature of wings, create various structural forms with movements, and share the metaphor, imagination, humor, with viewer/wearer.

(Source: magic-carousel)